![]() Still, it’s easy to see why they weren’t sure. However, after it received positive reviews, an NBC exec ordered four more episodes – the fewest number in TV history. After test audiences reacted badly to Larry David and Jerry Seinfeld’s pilot, NBC elected not to pick it up before it had even aired. It’s hard to imagine now, but Seinfeld almost didn’t happen at all. “The Seinfeld Chronicles” (Season 1, episode 1) Elaine is convinced her Korean manicurist is speaking about her in Korean and enlists Frank to find out, blah. Seinfeld’s preoccupation with Asian people isn’t just messed up in hindsight, it was never anything but weird. The Man in the Cape is kinda funny, though.ġ67. While Elaine does tell him off for being racist, it’s still a little sour. Jerry dates a woman whose last name is Chang and tries to figure out if she’s Chinese. Not all of them are perfect, and some are a little tough to watch more than 30 years later, but others are timeless – episodes like “The Contest” and “The Sponge” forever changed how we talk about sex on TV, particularly for women. With the entire series landing on Netflix today, we ranked every episode (excluding clip shows) from worst to best. Starring Jerry Seinfeld as a fictional version of himself, alongside Jason Alexander as George, Julia Louis-Dreyfus as Elaine and Michael Richards as Kramer, Seinfeld – which ran from 1989 to 1998 – was always beloved by fans for its chaotic, surreal, dry humour, even when it wasn’t a mainstream hit. I notice when you talk about your favorite sitcoms, you don't mention Seinfeld much.Jerry Seinfeld and Larry David’s “show about nothing” – following the escapades, antisocial behaviour and bickering of four friends who don’t really like each other all that much – changed the world of comedy over its nine-season run and inspired a generation of TV writers, despite NBC’s initial lack of faith.īefore Seinfeld, sitcoms were a little fuzzier – characters got married, they did things, and most importantly, they got along. Without Seinfeld, we wouldn’t have shows like Arrested Development and It’s Always Sunny in Philadelphia. Maybe you've discussed this before and I've somehow forgotten, but how would you classify this type of sitcom? I mean, it definitely had its funny bits, but the characters weren't people you could care about (at least, I never did). Plus, they never seemed to grow as characters, which I suppose was the big joke of their last episode. On Cheers, you somehow made a character like Norm someone that didn't change at his core, but we did care about him. ![]() How would you explain the difference?ĭisclaimer: This is just one person's opinion. I admired SEINFELD and at times found it laugh-out-loud funny, which very few sitcoms even come close to achieving.īut I also found it inconsistent. Some episodes felt forced with a lot of scenes just treading water. The characters didn’t grow as you said, which was very much by design. But the problem there is that after awhile they cease to surprise you. Once you know how they’ll react in any given situation they stop being interesting (in my opinion). But I’ll be honest, I liked that about the show. It was refreshing that characters were created to be funny and that often means exploiting flaws. Characters who are all sweet and sensible are murder for comedy writers. So kudos on that front.īut this choice comes at a price. It’s hard to care for someone you don’t particularly like. You feel less bad about their misfortunes. Ideally, the viewer is invested in the series and what happens to its characters. #Master of my domain seinfeld episode series They want them to succeed not say "Screw you, ya had it coming." Without that in a sitcom you’re pretty much only as good as your next joke. SEINFELD was able to get away with that to a large extent because many of the jokes were truly great (and it's incredibly hard to write great jokes, especially week after week). Watched it religiously during its first run. It was truly a delightful change from other sitcoms. And I applaud any situation comedy that strives primarily to make the audience laugh as loud and much as possible. ![]() I don't get any joy out of "Screw you, ya had it coming." But it’s not one of my all-time favorite beloved sitcoms. #Master of my domain seinfeld episode series. ![]()
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